<blockquote>
“Feminism has, of course, always been an exercise in science fiction” </blockquote>

<pre><code> — Laurie Penny 
</code></pre>
Austrian choreographer and performance artist Florentina Holzinger’s latest, wildest work about the body-as-spectacle, and its disciplining. 
A ballet class under the direction of Beatrice Cordua, the first ballerina to dance La Sacre du printemps naked (John Nuemeirer’s La Sacre, 1972) provides the framework. From there, the quest for perfection gets stripped down, pulleyed up from the scalp, haunted by witches, hoisted onto flying motorcycles and strung out, abattoir-style. 
Since its premier in Vienna, TANZ has stirred walkouts and fainting, along with its accolades and rapturous applause. It’s part gross-out comedy, part shock-horror show, part ghost story, part superhuman dance work. It glides by wearing the carcass of the most graceful of artforms, and asks: how can the cult of beauty inherent in this tradition be reconciled?
FLORENTINA HOLZINGER : POST-SHOW TALK
Join Florentina Holzinger in conversation with dancer choreographer Amrita Hepi as they discuss the ideas behind Holzinger&#39;s work.
WHEN
Friday 9 June, 15 minutes after the show
WHERE
Playhouse

A series of performers are on stage. They are all naked, some rising motorbikes whilst suspended and some working a pulley system to suspend another performer by the hair who hangs suspended in a piroutette pose

TANZ_Nada Žgank_Supporting3

A series of performers are on stage. Some stand in ballet poses in point shoes, another is suspended from a harness. 

TANZ_Nada Žgank_Supporting4

Two performers are on stage, they are striking powerful positions holding their own body strength. They are both naked. One is wearing knee pads.

TANZ_Nada Žgank_Supporting5

A series of performers are on stage. Some stand with their arms out wide, another is on the floor. The performers are naked and there is visble blood.

TANZ_Nada Žgank_Supporting6

Two performers are on stage, one lays down with her hand pressed to the cheek of another who sits up almost over the other performer. 

TANZ_Nada Žgank_Supporting7

Performer sits atop a suspended motorbike. The are naked and wear pointe ballet shoes that are covered in blood. 

TANZ_Nada Žgank_Supporting8

A performer clings onto a suspended motorbike whilst naked. They are wearing blood stained point ballet shoes. 

TANZ_Nada Žgank_Supporting9

Co-produced by Tanzquartier Wien (Vienna - AT), Spring Festival (Utrecht - NL), Theatre Rotterdam (Rotterdam - NL), Mousonturm (Frankfurt - DE), Arsenic (Lausanne - CH), Münchner Kammerspiele (Munich - DE), Take Me Somewhere (Glasgow - UK), Beursschouwburg (Brussels, BE) deSingel (Antwerp - BE), Sophiensaele (Berlin - DE), Frascati Productions (Amsterdam -NL), Theater im Pumpenhaus (Muenster - DE), asphalt Festival (Düsseldorf - DE) Supported by: O Espaço do Tempo (PT), Fondation LUMA (FR) and De Châtel Award (NL).

Funded by the Cultural Department of the City of Vienna, Arts and Culture Division of the Federal Chancellery of Austria, Performing Arts Fund NL and Norma fonds (NL).

With the support of the Republic Austria Federal Ministry for Arts, Culture, the Civil Service and Sport, Section IV – Arts and Culture.

WARNINGS | This work contains nudity, blood (fake and real blood), needles, self-injuring body acts, live urination, strobe lights and simulated smoking (real smoking). Fake blood may splash from the stage and affect the first few rows. 
Allocated Seating | If you have specific seating request, let us know in the notes box at checkout and our team will do their best to accommodate. 
MORE TICKETS | Tickets also available <a href="https://www.artscentremelbourne.com.au/">via Arts Centre Melbourne. </a>

TANZ

## [WATCH THE VENUE ACCESS VIDEO](https://youtu.be/LRBTfTAONik)

ACCESSIBLE PARKING

Both levels of the Arts Centre Melbourne Car Park are fully wheelchair accessible, and have accessible parking bays.

PARKING   

There is a Wilson Parking at Southgate Car Park, Southbank (160m walk from venue), and Eureka Car Park, 70 City Road, Southbank 260m walk from venue).  Parking is available at Wilson Parking locations found in and around the CBD. Plan your journey with online options available, [click here](https://www.wilsonparking.com.au/) for details.  

PUBLIC TRANSPORT

Nearest accessible train station: Flinders Street Railway Station, opposite Federation Square, services all metro train lines.

Nearest accessible tram stop: Stop 14, St Kilda Road.

DISTANCE COVERED BY PARTICIPANT

Under 200m.

ACCESSIBLE ENTRANCE

Entrance is on ground level with automatic doors.

ACCESSIBLE BATHROOMS

The Theatres Building (the building with the big spire) has accessible toilets on Level 3, 5, 6 (street level) and 8.  Hamer Hall has accessible toilets on all publicly-accessible levels, and changing facilities on Levels 2, 3, 5, 6 (street level) and 7.  Please ask venue staff for assistance in locating the closest accessible toilet to your location.

HEARING AUGMENTATION

Assisted-listening devices for use in all seats of Arts Centre Melbourne venues (plus on Guided Tours and for meetings) are available free of charge. These devices use standard headphones or connect with hearing aids via a neck loop. Please speak to our staff when you arrive for assistance with obtaining these devices.

INTRA SITE TRANSPORT

Wheelchairs can be booked for use in Arts Centre buildings through the Welcome Desk on 03 9281 8298.
